Friday, 21 November 2008

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If you are a performance artist, mentalist, caricaturist or make your living as a living work of art and you are looking for contracts in the lucrative Middle East market then you have come to the right place.  By listing on this website the Arabic speaking world of events companies, entertainment agencies and corporate customers in the Middle East will be able to find and more importantly get in touch with you instantly.

If you are looking for something just that little bit different for your event then the artists that can provide your solution are listed on these pages.

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Mentalists & Mind   Human Statues   Caricaturists    
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 Living Sculpture
  Fortune Tellers
   
   

 

 

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How to start Living Sculpture

We are defining living sculpture as sculpture created with living, growing, or recently harvested plants. It can be functional and/or ornamental.  Chances are, you may think of something made from clay, plaster, glass, bronze, or even, plastic. Sculptors through the ages have traditionally worked with media such as these. Although sculpting plants isn’t a new idea (think bonsai or topiary), its recent rediscovery by artists, horticulturalists, gardeners, and young people has given living sculpture an innovative popularity.  Obviously sand is always a good and easy way to start in the Middle East.

Living sculpture offers a highly appealing blend of art and science. On one hand, you’re creating a piece of art. It’s creative, it may be whimsical, and will surely stand out in your backyard, park, school, or community center. Creating a living sculpture gives you the chance to bring your own unique vision or idea to life (literally!) On the other hand, this piece of art is alive! The plants you use are a vital part of your sculpture. Those plants have needs that must be met to keep your sculpture alive, and may require special horticultural skills, such as grafting, to create the art.

Living Statues

The term living statue refers to a mime artist who poses like a statue or mannequin, usually with realistic statue-like makeup, sometimes for hours at a time. This is an art that requires a great deal of patience and physical stamina. Middle East climates of course may make your work as living statues slightly less comfortable than your European counterparts.

Living statue performers have been known to pose as shop window mannequins in order to fool passers by, and a number of hidden camera shows on television have had living statues suddenly spring to life to startle people. As with all performing arts, living statue performers may perform as buskers or in commissioned shows. Some living statues are also invited to perform in fine arts exhibitions.

The tableau vivant, or group of living statues, was a regular feature of medieval and Renaissance festivities and pageantry, such as royal entries by rulers into cities. Typically a group enacting a scene would be mounted on an elaborate stand decorated to look like a monument, placed on the route of the procession. A living statue appeared in a scene of the 1945 French masterpiece film Les enfants du paradis (Children of Paradise), and early living statue pioneers include the London-based artists Gilbert and George in the 60s. In the early years of the 20th century, the German dancer Olga Desmond put on “Evenings of Beauty” (Schönheitsabende) in which she posed nude in imitation of classical works of art ('living pictures').

Caricaturists

Anyone can draw a caricature, but only a real artist can transform a doodle into a work of art. If you are serious about improving your caricature drawing skills, you should consider taking classes. Here are some tips to help get you started.

Observe, observe, observe. A caricature is only effective if it actually resembles the subject. More than artistic skills, you need keen observation to pull this off. Carefully study your subject’s facial expressions, outstanding features, angles and mannerisms. Think of ways to capture the subject’s personality and character to give “life" to your caricature. Zoom in on details like what type of clothing the subject wears, the gadgets he has in his hands, and other minor details.

Exaggerate like there’s no tomorrow. A caricature is always larger than life. Don’t be afraid to lay it on thick – if the subject has distinguishing features like a particularly big nose, highlight it even more. Use bold lines for distinct facial edges such as the upper eyelids. The best thing about caricatures is the creative freedom it gives you. Don’t be afraid to use it.

Vary your strokes and lines. Caricatures rely on the quality of its linear structure for its composition, so use it to give dimension and shadow. Be sure to vary them to avoid making your caricature look flat. Use harder strokes for facial edges such as chins and noses and lighter strokes for other details such as facial lines, unless that’s the distinguishing feature of your subject.

Finally, have fun. Drawing caricature is a serious art form, but no one says you can’t have fun doing it. If your first few attempts do not quite make the cut, set them aside and move on. Making mistakes is part of the fun. After all, even in the world of art, the old adage is still the golden rule – practice really does make perfect.

Caricatures provides detailed information on Caricatures, Celebrity Caricatures, How To Draw Caricatures, Caricature Artists and more. Caricatures is affliated with Vintage Comic Books.

Fortune Tellers

Fortune telling, the practice of predicting the future through psychic means, such as interpretation of signs or communication with supernatural forces. Many people use astrology as a method of fortune telling. Other methods use palmistry, the practice of interpreting the lines in hands; cartomancy, the prediction of the future through communications using special cards such as tarot cards and necromancy, in which the people predict the future through communication with the dead. Some methods of fortune telling involve clairvoyance, the ability to perceive events or objects beyond the range of five senses. Although fortune telling has a little support in science, it still remains popular in many countries.

People have practiced various forms of fortune telling for thousands of years. It became the widespread practice in many ancient societies, particularly among rulers, who often sought advice from fortune tellers. In ancient China, for example the emperors had court astrologers and special diviners, who predicted the future using a set of sticks called the Yijing. In ancient Rome, special priests called augurs have predicted the future by interpreting certain signs in nature. The ancients Greeks consulted oracles, which supposedly learned of future events by communicating directly with the gods.

     
       




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